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My Journey as
a Writer

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MY BOOKS ON AMAZON

Writing is not always what it appears to be.

7/30/2017

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PicturePhoto by Todd Diemer on Unsplash
Writing is not always what it appears to be. It can be hard to discover what lies beneath the fog unless you have a passion for it. To non-writers, it often seems easy, but to those of us who work at our craft it is anything but easy. It's heart-wrenching, brain-racking, spirit-draining, and time-consuming. On a good day it's clear, exact, and even awe-inspiring. But on a bad day, it's hidden just beyond our grasp in a thick, white fog that clogs our mind and imprisons our creativity.

American comedian, Steven Wright, once joked, "I'm writing a book. I've got the page numbers done." I have to admit, I have been there--and more often than I care to admit. Ideas are not the issue. Like most writers I have notebooks filled with article, short story, and book ideas. It could even be said that ideas are a 'dime a dozen'. Instead it's the development of an idea into a full-fledged story that matters. And to that end, I prefer Ray Bradbury who said, "You must stay drunk on writing so reality cannot destroy you."

Mr. Bradbury, in essence, was saying that writing had to be a passion. It had to excite you, and the idea you want to develop into a book had to be an intoxicant--one that would keep you emotionally and mentally under it's influence until it was complete.

No, writing is not always what it appears to be, but if you are in a fog about whether or not it is right for you here are four things I asked myself before taking this journey.
  • Do I have enough curiosity? Curiosity is the drive that moves research for a story's plot, setting and characters.
  • Am I willing to learn? Writing and learning go hand in hand as far as I am concerned. Writing involves more than just sitting down and penning a story you've told a hundred times. It is a craft, and all craftsmen or craftswomen must learn techniques that will grab a reader and keep them until the end of the story. Remember, quite often a great verbal story teller is not a great writer.
  • Is it something I enjoy? I've always felt that joy was an important aspect of life--emotionally and spiritually. It's something that lightens the heart and spirit. It's a happiness that is deep seated and well earned. Joy is what will keep you writing when the fog sets in your brain.
  • Why do I want to write? If it's for money, be prepared to work long and hard to not only write, but market your books. Yes, there are first-time writers who strike it rich, but the majority of us just plug away for years to build a following, find an agent, and get published. Personally since I write for children and teens, I write for the one smile, one email, or one note that says, "I really liked your book."

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Why Write Western Fiction

7/19/2017

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Ever since I read "The Trail Driver" by Zane Gray when I was eleven, I have been infatuated with western fiction. How could I not be--A cattle drive down the Chisholm Trail, 4,500 head of longhorns, rustlers, storms, floods, and of course, the Comanche.

I was enthralled. So enthralled as a matter of fact, that for almost a year, I read every Zane Gray novel and short story the bookmobile librarian could find for me. Then I found Louis L'Amour! That was it. The spark to write western fiction took hold, but not for adults--for kids. Why?

The old west is a symbol of the pioneer spirit that drove my ancestors from the east to the west. They came on covered wagons on the Oregon Trail and by boat on the Upper Missouri River. The land was hard, but it was beautiful, and it was full of stories. It was a time of quiet courage, determination, hope, faith, and yes . . . gunslingers, bandits, cowboys, Native Americans, and danger. In other words, it's the stuff kids in my generation couldn't get enough of.

I think that's why I want to share it with kids. It's one thing to learn history, but it's another to experience it through the eyes of a character who lives in the old west (1865-1895 is usually considered the Wild West or the Old West). So if you are like me and want to write western fiction, here are three things that I've learned are a must.
  1. Research your time period and location--clothes, weapons, travel. There is a big difference between what was available in 1865 and thirty years later. In Search for the Red Ghost set in 1883, Jake carried a 1873 Winchester rifle, but if it was 1865, he might have carried a muzzle loader.
  2. Choose a main character with a problem that only he can solve. For kids, many of the problems faced today were also faced in the Old West. Jake felt isolated from his father and alone after his mother was killed. Many kids today feel that same way even if they have both parents.
  3. Write a gripping story that carries all the emotion and action you can imagine you character going through to achieve his/her goal or to solve the problem.






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Is Writing Fluff for Kids Really Bad?

7/4/2017

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Have you ever been accused of writing a story that is considered fluff? You know, writing that is trivial, superficial, has little or no meaning. I call it the cotton candy effect. I have, and it made me ask, "What is fluff when it comes to a story for children? Is there such a thing?" 

For me, fluff, like beauty, is in the eye of the beholder. A story may have deep meaning for the author, but little or no meaning for a discriminating editor. All fiction writers know that a quality and engaging story must be developed with a a plot and a character the reader will either love or hate. It must also have an arc that leads the reader to the crescendo or climax.
But there are times when the only goal to a story is to make a child laugh.

Think "Knock, Knock" jokes. There isn't a plot, or an arc, or most of them don't even make sense, but kids love telling them and can't help but laugh when they do. (Knock, knock. Who's there? Stinky. Stinky who? Stinky, dinky LaRue, and that's you!)

Or, how about all the books about farts, burps, and other bodily functions? Adults may think books like these are trivial, superficial, or even fluff, but kids love them.

​Non-fiction, however, seems to be different, and if you don't believe me just take a look at a daily newspaper or one of the celebrity magazines. But back to fiction . . . .

So in conclusion, writing for kids can be serious, imaginative, mysterious, engaging, humorous, thoughtful, soul-searching, adventurous, fantastical, and even cotton candy FLUFF if it appeals to even one child. After all, isn't that why we write for children?  





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    Photo bySamuel Ferrara on Unsplash

    Sherry Alexander

    Dreamer, believer, reader, writer

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